Showing posts with label Book of Mormon Musical. Show all posts
Showing posts with label Book of Mormon Musical. Show all posts

Sunday, September 16, 2012

My Review Of The Book Of Mormon Broadway Show

This is a review of the Book of Mormon Broadway show at the Pantages Theater in Los Angeles on September 2012 which did not feature the original cast of the Broadway play.  Unlike LDS commentators and bloggers who have given their thoughts about this play without having seen it, I have seen it.
The Book of Mormon Broadway show is one of the most awesome, thought provoking and wildly offensive show.
Lets get the obvious out of the way. This play was written by Matt Stone and Trey Parker who are well known for their deeply biting critique of everything. You shouldn't be surprised to that this is a play filled with swearing, sex jokes, scatological gags, and poking fun at religion, especially the LDS faith. Matt Stone and Trey Parker have poked fun at the LDS faith before with an episode dealing with the origins of Mormonism and a movie called Orgasmo which is about an LDS Missionary who becomes a porn star. 
Like every other project these men have engaged in, they exert every ounce of creative energy they have to produce top notch entertainment. Yes, their entertainment is irreverent but its not cheap. There is a reason why they have won 9 Tony Awards and a nominated for a Grammy. The actors were fantastic. The set was phenomenal. The music was awesome. The lighting was done right. When it comes to the art of theater, Matt Stone and Trey Parker absolutely deserved these awards. It was very evident from what I observed at the play.
This play is about two young LDS Missionaries who have been called to serve in Uganda, Africa. One of the missionaries, Elder Price, is self centered overachiever who dreams of serving mission to Orlando, Florida. The other missionary is Elder Cunningham who is an awkward, chubby but funny person who yearns for a best friend. These two unlikely friends become companions. Once they arrive in Uganda, they find that other missionaries have been unsuccessful in sharing the gospel. They find a people who are more concerned about their everyday problems of malaria, AIDS, diarrhea, warlords, and poverty than they are about what peace this American gospel might bring to them now or in the afterlife. These Ugandans have a justified reason for saying "Hasa Diga Eebowai" (Fuck You God) which is the title of one of the songs in the play.
As a result of not getting a single baptism, Elder Price begins to feel frustrated and unhappy. The other missionaries (who are all very flamboyant) sing "Turn It Off" in which they advise him suppress his negative feelings. Unable to overcome his frustrations, Elder Price ditches his companion to wander off on his own. Meanwhile, Elder Cunningham, now without a companion, inadvertently begins to take creative liberties with Mormon doctrine and with what the Book ff Mormon teaches in order to win converts. He begins to make up things in order to address their everyday concerns and questions for which cannot be found in the Book of Mormon. As a result, Elder Cunningham has created a new religion which is a hybrid of Mormonism and his imagination which is filled with Star Wars, and the Lord of the Rings. With this new religion, he forbids the people from engaging in certain practices. Now, the missionaries are baptizing like crazy.  This excites the Mission President and the local townspeople put on a play demonstrating what they've learned from Elder Cunningham which they sing the song "Joseph Smith American Moses." What the Mission President learns horrifies him and catches the other missionaries off guard. The Mission President is unhappy and threatens to shut the mission down.
While Elder Cunningham is off making converts, Elder Price is on a harrowing journey of what it means to be Mormon and what it is he really believes. He goes to hell in which he has a very "Spooky Mormon Hell Dream" in which he sings about his sins. Elder Price finds his faith in hell and confronts the local warlord and sings about what "I Believe." The warlord, known as the General, takes Elder Cunningham and inflicts some pain on him. Having survived the torture, Elder Price shows up just as the Mission President is about to shut the mission down. He learns of what Elder Cunningham has been teaching and gets an idea. He confronts the warlord and threatens him with Divine Punishment based on Elder Cunningham's new religion. The General and his men flee. The people in this town of Uganda are happy that the Mormon helped them be free of this warlord. They sing a song titled "Tomorrow Is A Latter Day" with the Elders about a new and better tomorrow and say "Ma Ha Nei Bu, Eebowai." After that song, the show closes with a fabulous ending. 
The play has takes some of the usual observations about religion and presents them in an interesting, thought provoking and sometime irreverent light. This would be a great play for those who study religions and philosophy.
This play is about a religion that has arrived in a new land filled with people who are facing problems that unique that region. The play goes on a journey of how that religion struggles to gain converts and some creative liberties were taken to get people to join the religion. It shows how it morphs into a new faith that is a hybrid of local beliefs and the original religion.  This story is similar to the history of the Catholic faith in South America. It explores how ideas, beliefs and dreams are affected, shaped and changed by the land and people they are introduced to.
The Book of Mormon play also deals with the how people want to believe in a higher purpose but are more concerned about their everyday problems and how religion struggles in addressing it. Its not a problem unique to the most challenging parts of the world but in places that do not know war, hunger, disease and poverty.  The song "Sal Tay Ka Siti" demonstrates how people want to rise above their circumstances and to place where such things don't exist either in this life or the next.
One of my favorite aspects of this play was how the missionary work changes the person teaching the gospel and the person receiving it and how it affects the relationship dynamics of proselytizer and investigator. It is an aspect that I don't often see addressed in stories about religions. Its also the most realistic part of the play in a play filled with humor, sarcasm, sex jokes, and scatological gags. It delivers moments that would make any Mormon proud with songs such as "I believe," and "Baptize Me."   
One thing that I don't like about the play is when the missionaries (who are all very flamboyant) sing "Turn It Off" in which they sing about suppressing negative feelings and doubts. It doesn't really help the play in any way and I felt that it was an unneeded jab at religion.
Could Matt Stone and Trey Parker have made these points differently? Yes. For many Mormons, it is unfortunately that our ox got gored in this play. I can understand why some people of faith would be offended by this play. It pokes fun at religion. It also pokes fun at Mormonism. Thus, its not surprising why Mormons (and other faiths) would be upset by it and refuse to see it.
However, religion is a curious thing. It is bizzare. It is odd. It is funny. But its the people within the religion that make it is also spiritual, magical, and inspiring. That is Matt Stone and Trey Parker's message. Its also a topic worth exploring further because its a message that everyone needs to be reminded of because its applicable to everything else in life. Regardless of how we feel about religion, politics, business, or education, its the people that breathes life into those institutions we love or hate and create those touching and human moments within the framework of these institutions.

Wednesday, November 30, 2011

Book of Mormon Broadway Musical Scores Grammy Nomination

Matt Stone and Trey Parker's Broadway musical, "The Book of Mormon" has been very successful for them. The won nine awards at the Tony Awards last year. for Today, they were nominated for a Grammy award for best musical theater album:  
 "South Park" creators Trey Parker and Matt Stone are competing against timeless composers Cole Porter and Frank Loesser for a 2012 Grammy Award. In the category of musical theater album, their new Broadway blockbuster "The Book of Mormon" was nominated Wednesday along with the albums for revivals of Porter's "Anything Goes" and Loesser's "How to Succeed in Business Without Really Trying."
The musical theater category honors the composers and lyricists for a show, as well as the producers and principal cast members.
"The Book of Mormon," released by Ghostlight Records, features songs by Stone, Parker and Robert Lopez. Cast members Josh Gad and Andrew Rannells also were included in the nomination. The hit comedy won nine Tony Awards this year, including the award for new musical.
Not only has the "Book of Mormon" been success musically, but also financially since they have recouped all the cost of making the play and are now generating a profit from the play:
The critically acclaimed Broadway musical “The Book of Mormon” has recouped its roughly $11.4 million capitalization after just nine months of performances, its producers said on Tuesday. “Mormon” is the first commercially successful musical from the 2010-11 season, which had an unusually large number of original musicals open, including the still-running “Sister Act” and “Priscilla, Queen of the Desert” and flops like “Catch Me If You Can” and “Wonderland.”
Since starting preview performances in mid-February, “Mormon” has broken the weekly box-office record at the Eugene O’Neill Theater 22 times. The show is regularly among the five highest-grossing productions on Broadway in spite of running in a theater with hundreds of fewer seats than most major musical theaters.
The producers make up for a small house by charging premium ticket prices of up to $477; as a result, theatergoers pay far more on average to see “Mormon” – about $170 during Thanksgiving week – than for other Broadway shows.
Given that people are willing to shell out money to pay premium to see this show, people obviously like the work of Matt Stone and Trey Parker and were confident that they would get their money's worth in seeing this play. But it was also a risk for them to be charging such high prices but the gamble paid off for them handsomely. 
Many LDS people are unhappy with this play because its disrespectful to our religion. I say, let them poke fun at us. We are a unique religion and there's no denying that. Rather than getting our feathers ruffled over it, let them laugh at us. Its ok. Some people will not want to learn about our Church because of this play. Perhaps a few people will. Overall, I think the result of this play is a positive one for the LDS Church and its members. 

Sunday, June 12, 2011

The Book Of Mormon Musical Is The Big Winner At The Tony Awards

The Book of Mormon musical was not only a hit on Broadway but at the Tony as well. Tonight, the play picked up nine awards
The profane and hysterical "The Book of Mormon" took home nine Tony Awards on Sunday including the prize for best musical, a considerable achievement for a pair of first-time Broadway playwrights known more for their raunchy cartoons featuring potty-mouthed kids.
Trey Parker and Matt Stone, creators of the Emmy Award-winning "South Park," found a kindred soul in Robert Lopez, who co-wrote the Tony-winning "Avenue Q," and all three found themselves with plenty of awards when they collaborated to gently mock Mormons and send-up Broadway itself.
Collecting the best musical prize, a subdued Parker, who tied Josh Logan of "South Pacific" with four Tonys in one evening, said he'd be remiss if he didn't thank his late book co-writer - Joseph Smith, the founder of the Mormon religion.
"You did it, Joseph! You got the Tony!" Parker said looking skyward and holding up his award.
The show, which netted honors for best musical, best book, best direction of a musical, best score, best featured actress and four technical awards, came in with a leading 14 nominations and was the heavy favorite for the top musical prize.
I really wish I could go and see this play. From everything I've heard, Matt Stone and Trey Parker deserve these awards. Congratulations guys!